At the beginning of the film we are introduced to the early life of Bart Tare (John Dall) – a sharpshooter. He meets Annie Laurie Star (Peggy Cummings), a strong-willed and ambitious woman.
They begin a series of bank robberies - a special mention should be made to the bank heist sequence which was shot in just one long take. Gradually they become outcast characters blinded by they desire to be together and their ambition - there is a strong relationship between guns and sex all along the story: As Bart states - We go together, Annie. I don't know why. Maybe like guns and ammunition go together
Annie Laurie could seem a femme fatale – the original movie title would point in that direction - in the sense that she drags Bart to destruction, - as Bluey-Bluey says: she ain't the type that makes a happy home. However she also feels love for him. It’s their passion that leads them to destruction.
Therefore the fugitive couple are doomed by their destructive love, by the spinning violence. Bart tries to go back to his hometown, to his childhood but he can’t find salvation there either.
As in other noir films nature is the last shelter where the characters try to escape from the corruption of the city. However trackers manage to follow them and they die there – just like Roy Earle in High Sierra or Eddie and Jo in You Only Live Once
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